PURPOSE

By Branden Jacobs-Jenkins
Directed by Zindzi Okenyo

Sydney Theatre Company acknowledges the Gadigal of the Eora nation who are the traditional custodians of the land and waters on which the Company gathers. We pay our respects to Elders past and present, and we extend that respect to all Aboriginal and Torres Strait Islander people with whom we work and with whom we share stories.

Welcome from Artistic Director,
Mitchell Butel

Sometimes (but not often!) you see a play and it feels like it was written this morning – its content is so of now; its point of view feels so fresh and alive; it strikes the zeitgeist in the most electric way.

Such was the case when I had the good fortune to see the originating Steppenwolf Theatre production of Branden Jacobs-Jenkins’ Purpose during its triumphant Broadway season.

Although it looks squarely into the heart of modern American politics and culture, this extraordinary and unflinching play lasers into topics close to our current home as well – cancel culture, sexual identity, Black Lives Matter, justice, neurodivergence, epidemics, ambition, family, legacy, parenthood, marriage, hypocrisy, power and well... purpose.

To sit with that New York audience and feel them bristle and gasp and laugh and lean forward into the brilliance of this work and the complex history and future of the Jasper family is one of the greatest thrills I’ve had in the theatre.

"A dazzling, provocative and satisfying start."

I couldn’t be happier that the calendar stars aligned so that this play will be the first show of my inaugural season at Sydney Theatre Company as your new Artistic Director and Co-CEO.

I couldn’t be happier too that the theatrical polymath that is Zindzi Okenyo, who began her career as part of the Residents Company during Andrew Upton and Cate Blanchett’s tenure as Artistic Directors, also had the play on her radar and agreed to direct an entirely new version, backed by an expert creative team and with a fierce and fabulous Australian cast.

My mission as Artistic Director is to help create brilliant Sydney theatre to take to the world but also to bring brilliant world theatre to Sydney.

This Pulitzer Prize and Tony Award-winning masterwork is, I hope, a dazzling, provocative and satisfying start to that delivery of the world’s finest theatre to you.

Our thanks to this great team for their inspired work on the show and our generous Production Patrons, Rosie Williams and John Grill AO for their support of brave and bold work of this nature. 

Purpose is a play about what can sour when we take our eye off what is true and what should guide us. Solomon Jasper, the patriarch of the family at the centre of the play, tells us about the “miracle of honey”, the only thing in the world that never spoils. Humans, however, sadly can. But plays like this are their own miracles, as you’re about to learn…

To quote the Solomon's son Nazareth, “buckle up”!

Mitchell Butel 
Artistic Director and Co-CEO
Sydney Theatre Company 

Cast & Creative Team

Cast

Morgan Jasper
Grace Bentley-Tsibuah

Claudine Jasper
Deni Gordon

Solomon Jasper
Markus Hamilton

Nazareth 'Naz' Jasper
Tinashe Mangwana

Solomon 'Junior' Jasper
Maurice Marvel Meredith

Aziza Houston
Sisi Stringer

Creative Team

Director
Zindzi Okenyo

Designer
Jeremy Allen

Lighting Designer
Kelsey Lee

Composer & Sound Designer
James Peter Brown

Fight Director
Diego Retamales

Dialect Coach
Rachel Finley

Voice & Text Director
Charmian Gradwell

Production Team

Production Manager 
Alexandra Moon 

Production Coordinator
Marie Landy

Stage Manager 
Zoe Davis 

Assistant Stage Manager 
Maddie Craven 

Costume Coordinator 
Scott Fisher 

Hair, Wig & Make-up Supervisor 
Lauren A. Proietti 

Backstage Wardrobe Supervisor 
Simone Edwards 

Drafting 
Dallas Winspear 

Lighting Supervisor 
Jesse Greig 

Lighting Operator 
Oscar de Gruchy 

Props Supervisor 
Jason Lowe

Set Construction Supervisor 
Boaz Shemesh   

Scenic Art Supervisor 
Ron Theissen 

Sound Supervisor 
Peter Hunt 

Staging Supervisor 
David Tongs 

Mechanist 
Oscar Broadhead 

Rehearsal Photographer 
Daniel Boud 

Script Assistant
Zahara Jithoo

Community Engagement Consultancy
Wanyika Mshila

3 hrs, including interval

Broadway Premiere produced by
David Stone, Debra Martin Chase, Marc Platt, LaChanze, Rashad Chambers, Aaron Glick, Universal Theatrical Group, Eastern Standard Time, Trate Productions, Nancy Nagel Gibbs, James L. Nederlander, John Gore, Ambassador Theatre Group, The Shubert Organization and Steppenwolf Theatre Company.
Purpose was commissioned, and its world premiere presented at Steppenwolf Theatre Company, Chicago, IL; Anna D. Shapiro, Artistic Director and David Schmitz, Managing Director.

This production premiered on 6 Feb 2026 at Wharf 1 Theatre, Sydney

Production Patrons
Rosie Williams & John Grill AO


Tinashe Mangwana, Sisi Stringer, Deni Gordon, Maurice Marvel Meredith and Grace Bentley-Tsibuah.

Synopsis

The Jasper family is synonymous with Black excellence.  

Solomon Jasper, the patriarch, is a celebrity preacher, luminary of the Civil Rights movement and pillar of the community who counted Dr. King among his many friends. 

His wife Claudine is the very model of a ‘first lady’; fiercely intelligent, effortlessly charming and hospitable, and her family’s protector in any crisis.  

Until some recent unpleasantness with the law, their eldest Junior was a rising star in US politics, tipped for greatness on Capitol Hill. By his side is his wife Morgan, a lawyer who made good on her humble beginnings. 

But things haven’t been quite the same since Junior went inside.  

On the day of Junior’s homecoming, Nazareth – the youngest Jasper and somewhat of a black sheep – hitches a ride with his friend Aziza up from Niagra Falls to the Jasper family home in Chicago, right into the heart of a gathering snowstorm.  

Naz and Aziza have a secret, one they can under no circumstances reveal to the rest of the family. Little do they know, each member of the Jasper clan is harbouring something hidden and over the following days, as the snow gathers at the windows, they’ll all have to face the truth.    

NAZ:
And then, before we knew it, it was almost dinner and that’s when things got… well, that’s when things got what they got…

BRANDEN JACOBS-JENKINS, PURPOSE

Director's Note
Zindzi Okenyo

What is purpose? Earlier last year I worked on Kirsty Marillier's new work Destiny, a sweeping drama that follows a family living in the thick of Apartheid South Africa. Marillier saw 'destiny' as some sort of firm fate. Are our futures predetermined or is it a series of outcomes that are carved into one’s existence? I wondered the same thing about 'purpose'. Words like destiny and purpose can sound dreamy and challenging  to define, but if you're fortunate enough to be able to harness that dream and clarify meaning in the word – you might just be able to change the course of your life.

But do we have control of our destiny, our purpose? Does someone else decide for us? Are we in control? How were we raised, when were we born and what is the colour of our skin? 

Zindzi Okenyo

Zindzi Okenyo

"But do we have control of our destiny, our purpose? Does someone else decide for us? Are we in control? "

Branden Jacobs-Jenkins describes the characters in this play as being in a 'crisis of purpose', which is an extraordinary moment to peer into someone's life. Solomon Jasper, a Jesse Jackson-esque civil rights leader at the end of his career has taken up beekeeping as a way to connect with the legacy of his father. Post penitentiary, his eldest son Solomon Junior tries to do good but falls even further from grace. Mother Claudine, doing the professional work of the matriarch attempts to protect the family brand at all costs and their youngest son Nazareth has extricated himself from the family name, living an isolated and secret life. We come together in the theatre to witness the Jaspers – a dynastic Black family holding back all the external pressures of the world, there lying underneath a forgotten familiar love now calcified by deception and cruelty. 

Another layer sits within the work of a play like this. Commissioned by Chicago based theatre company Steppenwolf, Jacobs-Jenkins used the opportunity to write a play that would showcase the outstanding talents of the Black actors in the company. As a result, he has written some of the most challenging and dynamic acting roles in theatre history. Here in the Australian premiere, the same purpose is served – an opportunity to highlight the great talent that lies dormant due to the systems that repress them, each actor gifted enough to challenge, overcome and thrive in a work of this calibre, debunking the cultural myth that there is a lack of great Black actors to be found in this country. 

A rumination on legacy, trauma and the power of family, Branden Jacobs-Jenkins' newest work is an exceptional example of what can happen when we try to run from the truth. 

Markus Hamilton

Markus Hamilton

Biographies

Branden Jacobs-Jenkins
Writer

Branden Jacobs-Jenkins is a Brooklyn-based playwright. Recent theatre credits include Purpose (Tony Award; Pulitzer Prize; Broadway, Steppenwolf), Appropriate (Tony Award; Broadway, Second Stage), The Comeuppance (Signature Theatre), Girls (Yale Rep), Everybody (Signature Theatre), War (Yale Rep; Lincoln Center/LCT3), Gloria (Vineyard Theatre), Appropriate (Obie Award; Signature Theatre), An Octoroon (Obie Award; Soho Rep, Theatre for a New Audience), and Neighbors (The Public Theater). He currently teaches at Yale University and serves as Vice President of the Dramatists Guild council and on the boards of Soho Rep, Park Avenue Armory, the Susan Smith Blackburn Prize, and the Dramatists Guild Foundation. Honors include a USA Artists fellowship, a Guggenheim fellowship, the MacArthur fellowship, the Windham-Campbell Prize for Drama, and the inaugural Tennessee Williams Award. 

Zindzi Okenyo
Director

Zindzi Okenyo is a dynamic African Australian actor, director and singer. After graduating from NIDA in 2006, Zindzi was a member of Cate Blanchett’s Residents Company at Sydney Theatre Company for three years. In 2012 Zindzi toured Europe and the USA with A History of Everything and began as a much-loved presenter on ABC’s iconic children’s program Play School. In 2022 Zindzi joined Melbourne Theatre Company as part of the twelve-member cohort of Artistic Associates in an industry-first consultation capacity across two years. She has performed for most of Australia’s major theatre companies and recently began directing for Sydney Theatre Company, Melbourne Theatre Company, Malthouse, Griffin and Darlinghurst Theatres.  

Zindzi’s directing credits for Sydney Theatre Company include the Australian premiere of the Pulitzer Prize-winning play Sweat by Lynn Nottage, Assistant Director on Death of a Salesman and Associate Director to Wesley Enoch on A Raisin in The Sun. For Melbourne Theatre Company, Zindzi has directed the premiere season of Kirsty Marillier’s Destiny and co-directed with Shari Sebbens Is God Is (a co-production with Sydney Theatre Company). Other credits include co-directing with Shari Sebbens the acclaimed production of Seven Methods of Killing Kylie Jenner. This was a co-production between Green Door Theatre Company and Darlinghurst Theatre Company which went on to a season at Malthouse Theatre. Zindzi directed Orange Thrower for Griffin and Choir Boy (co-directed with Dino Dimitriadis) for National Theatre of Parramatta. 

GRACE BENTLEY-TSIBUAH 
Morgan Jasper

Sydney Theatre Company: Debut. Other Theatre: Auckland Theatre Company: Rosencrantz & Guildenstern Are Dead, Icarus. Silo Theatre: Seven Methods of Killing Kylie Jenner. Basement Theatre: Women of Citrus. Pop Up Globe: Emilia. Film: Why We Fight, Nude Tuesday, The Royal Treatment. TV: Dark City. Training: Toi Whakaari, New Zealand Drama School. Pronouns: She/Her.

 

DENI GORDON 
Claudine Jasper

Sydney Theatre Company: Debut. Other Theatre: Theatre Royal: Tina the Musical. Ensemble Theatre: Sunshine Boys. Hayes Theatre: Halftime. QT: Love’s Labour’s Lost. Seymour Centre: Joseph and His Amazing Technicolour Dream Coat. The Full Monty, Women Behind Bars, Hair (original 1969 cast), Jesus Christ Superstar, Godspell, Rocky Horror Show. Film: Matrix, Superman, Fortress, Farscape, The Fury Within, Paws, Bullamakanka, Around the World in Eighty Ways. TV: Wollongong the Brave, Sons and Daughters, G.P., Water Rats, Auntie Jack, The Dingo Principle, Sons and Daughters, Noah’s Ark, Heartbreak High. Other: The voice of Rage, Midnight til Dawn  ABC radio, Backing singer with artists Doug Ashdown, Marcia Hines, Julie Anthony, Ross Ryan, Jeannie Lewis, and the late Renee Geyer and Doug Parkinson. Training: School of Performing Arts, NYC. Pronouns: She/Her

MARKUS HAMILTON
Solomon Jasper

Sydney Theatre Company: Happy Days, Sweat, The Seagull, Fences. Other Theatre: Belvoir: The Sapphires. Film: Bear Country, Kingdom of the Planet of the Apes, Gods of Egypt, The Warrior's Way, Knowing, Woman on Fire.  As Writer: Going Home. TV: Strife, Will & Grace, Camp, Me & My Monsters,  Arli$$, Love Inc. Voice Actor: includes Angkor – The Lost Empire of Cambodia, CJ the DJ, Miscast. 

TINASHE MANGWANA
Nazareth 'Naz' Jasper

Sydney Theatre Company: Sweat. Other Theatre: The Old Fitz: King James. Snatched Theatre Company: Mercury Poison. Black Swan Theatre Co: Oil. Theatre180: Blue/Orange. WAAPA: Tartuffe, A Midsummer Night’s Dream, Human Cannon, Interruptions, Summer Rain. Kings Cross Theatre: Coram Boy. AFTT: The Tempest, Image of an Unknown Woman. TV: Plum. Short Film: Lavender Arrangement. Training: WAAPA. Pronouns: He/Him. 

MAURICE MARVEL MEREDITH
Solomon 'Junior' Jasper

Sydney Theatre Company: Debut. Other Theatre:  Performed with a U.S. Military Tour and Improv Theater Troupe focused on raising awareness around sexual assault prevention and bystander intervention through live performance. Film: The Mongoose, Play Dirty. TV: The Twelve, Chicago PD, High Potential, The Young & the Restless, Henry Danger, Monarch: Legacy of Monsters. Video Games: Diablo IV.  Pronouns: He/Him.

SISI STRINGER
Aziza Houston

Sydney Theatre Company: Debut. Film: Mortal Kombat, The Dry 2, Children of the Corn, Carnifex. TV: Vampire Academy. Training: QUT. Pronouns: She/Her.

JEREMY ALLEN
Designer

Sydney Theatre Company: The Shiralee, Circle Mirror Transformation, 4000 Miles, Sweat, Dear Evan Hansen (with Michael Cassel Group), Fences, The Goat or, Who is Sylvia? (with State Theatre Company of South Australia), White Pearl (with National Theatre of Parramatta, toured to Queensland Theatre, Canberra Theatre and OzAsia Festival). Other Theatre: QT: Malacañang Made Us. STCSA: The Questions, The Normal Heart. Griffin Theatre Company: The Lewis Trilogy, Orange Thrower. Ensemble Theatre: Summer of Harold, Is There Something Wrong with That Lady? Hayes Theatre Company: A Little Night Music, Merrily We Roll Along, The Rise and Disguise of Elizabeth R. Red Line Productions: Cleansed, Angels in America, 4:48 Psychosis. Darlinghurst Theatre Company: Small Mouth Sounds, Savages. Outhouse Theatre Company: Gloria, John. Pinchgut Opera: Dido and Aeneas, Giustino, Orontea, The Loves of Apollo and Dafne. Sydney Chamber Opera: Fumeblind Oracle, The Diary of One Who Disappeared. GWB Entertainment: Hedwig and the Angry Inch. Kings Cross Theatre: If We Got Some More Cocaine I Could Show You How I Love You, Ironbound. National Theatre of Parramatta: Flight Paths. New Theatre: Stupid Fucking Bird. Training: NIDA, University of South Australia. 

KELSEY LEE
Lighting Designer

Sydney Theatre Company: 4000 Miles. Other Theatre: As Lighting Designer: Melbourne Theatre Company: Destiny. Belvoir: Big Girls Don’t Cry, Curious Incident of the Dog in the Night-time, Well-Behaved Women, A Room of One’s Own. Griffin Theatre: Whitefella Yella Tree, Sex Magick, The Lewis Trilogy. Marrugeku: Mutiara. Force Majeure: Gurr Era Op. Ensemble: Masterclass, The Memory of Water, A Letter for Molly, Killing Katie. Bell Shakespeare: The Comedy of Errors. Belvoir 25A: Life Is a Dream, Extinction of the Learned Response, Skyduck, Kasama Kita. Greendoor Theatre Company: Sistren, Good Dog, If We Got Some More Cocaine I Could Show You How I Love You. Re:group Theatre Company: Autotune. Aya Productions/Griffin Lookout: Jali. NTofP: Queen Fatima. ATYP: April Aardvark. Michelle Guthrie Presents/Hayes Theatre: Tell Me on a Sunday. As Set and Costume Designer: Sydney Dance Company: Spell, Somos, Silence & Rapture. NTofP: A Practical Guide to Self Defence. As Set Designer: NTofP: Nothing. As Costume Designer: Ensemble: Switzerland. As Set and Lighting Designer: Belvoir 25A: An Ox Stand on my Tongue. As Lighting, Set & Costume Designer: Australian Chamber Orchestra: Wilfred Gordon McDonald Partridge, There’s a Sea in my Bedroom. NIDA: Lulu: A Modern Sex Tragedy. As Co-production Designer & Lighting Designer: Belvoir 25A: Destroy, She Said. As Associate Lighting Designer: Marrugeku: Cut The Sky. Belvoir: At What Cost?, Blue. Awards: Sydney Theatre Awards: Best Set Design for Destroy, She Said. Training: NIDA. Pronouns: She/Her. 

JAMES PETER BROWN
Composer & Sound Designer

Sydney Theatre Company: Picnic at Hanging Rock, Stolen, Constellations, Do not go gentle…, Home, I’m Darling, Rules for Living, The Deep Blue Sea, The Real Thing, Lord of the Flies, Mosquitoes, Who’s the Best? (with Post). Other Theatre: Ensemble Theatre: The Queen’s Nanny. Darlinghurst Theatre: Let the Right One In. CDP: The Midnight Gang. Sport for Jove: Rose Riot. Erth: Winter Camp, The Liminal Hour, Bird. Fox. Monster. Darlinghurst Theatre: In Real Life, Broken. Malthouse: Revolt. She Said. Revolt Again. Griffin Theatre Company: Smurf in Wanderland, Tribunal. The Farm: Frank Enstein. Post: Ich Nibber Dibber, Oedipus Schmoedipus. Urban Theatre Projects: Home Country. Carriageworks: Lake Disappointment. SOIT (Belgium): Nomads, We Was them, Messiah Run, The Lee Ellroy Show. ATYP: Dignity of Risk (with Shopfront’s Harness Ensemble), House on Fire. Campbelltown Arts Centre: Hole in the Wall. Dance: Queensland Ballet: Tethered. Kristina Chan: A Faint Existence, Mountain. Victoria Hunt: Copper Promises, Tangi Wai. The Australian Ballet: Scope. Sydney Dance Company: Cult of the Titans, Conform. Matthew Day: Thousands, Cannibal, Intermission. Film: Birthright, Magic Beach, Cosmographies, We Circle Silently, Fungus, Voice Activated, A Brilliant Genocide, Bloodlinks, Brown Lips. TV: The Movement, Top of the Lake, One Day for Peace, Gingersnaps. Games: Fallout 4, Fallout 76, Fallout Shelter. 

DIEGO RETAMALES
Fight Director

Sydney Theatre Company: Debut. Other Theatre: Belvoir: Grief is the Thing with Feathers. 25A: Furious Mattress, Workaholics. Sport for Jove: Timon of Athens. KXT: Port, U.B.U, The Wasp. Wharf 2: Taming of the Shrew. Old Fitz: Pride and Prejudice. As Actor: Theatre Royal: The Lehman Trilogy. Sport for Jove: Comedy of Errors, Betrayal, Timon of Athens. 25A: Furious Mattress. Film: The Fall Guy. Training: Theatre Nepean, Professional Wrestling. Pronouns: He/Him.

RACHEL FINLEY
Dialect Coach

Sydney Theatre Company: Sweat, Is God Is. Other Theatre: As Dialect Coach: The Phoenix Theatre Company: The Roads to Loch Lomond, Let the Good Times Roll, Cabaret, Arvada Center fir the Arts: Lady Day at Emerson’s Bar and Grill, The Black Theatre Troupe:The African Company Presents Richard III, Actors Shakespeare Project: The Piano Lesson, Melbourne Theatre Company: TOPDOG/UNDERDOG, Is God Is, Orlando Shakespeare Company: Boulevard of Bold Dreams, Agathe, Indiana Repertoire Theatre: Flyin’ West, Virginia Stage: Cat on a Hot Tin Roof, Baltimore Center Stage: The Folks at Home, Fires in the Mirror, Gritty City Repertoire: Culture Shock, Theatre Lab: The Berlin Diaries TV: M.I.A. Season 1, Moonlight, The Royal Treatment As Actor: Order Chaos Theatre: A Light in the Mirror, Carpe Diem Theatre: The Moment, Southwest Shakespeare Company: Romeo and Juliet, All Queer Shakespeare Company: A Christmas Carol; A Queer Fantasia, Mad Cow Theatre: Boseman and Lena, New City Players: Macbeth, The M Ensemble: The Old Settler, Harlem Duet, Theatre Lab: Of America, 1000 Miles, Make Mulch of It, Sol Theatre: Bug.

CHARMIAN GRADWELL
Voice & Text Director

Sydney Theatre Company: Circle Mirror Transformation, Happy Days, Picnic at Hanging Rock, 4000 Miles, Sweat, The President (with Gate Theatre, Dublin), No Pay? No Way!, Into the Shimmering World, Dear Evan Hansen (with Michael Cassel Group), Dracula, Stolen, A Fool in Love, The Seagull, The Importance of Being Earnest, Constellations, Do not go gentle..., Fences, The Tempest, The Lifespan of a Fact, Strange Case of Dr Jekyll and Mr Hyde, Fun Home (with MTC), The Beauty Queen of Leenane, Mary Stuart, Accidental Death of an Anarchist, The Harp in the South, The Long Forgotten Dream, Saint Joan, Blackie Blackie Brown (with Malthouse Theatre), Still Point Turning, The Resistible Rise of Arturo Ui, Lethal Indifference, Top Girls, Dinner, The Father (with MTC), Black is the New White, Talk, Chimerica, A Flea in Her Ear, All My Sons, Disgraced, Hay Fever, Arcadia, The Golden Age, King Lear, The Present, Suddenly Last Summer, After Dinner, The Long Way Home, Travelling North, Machinal, Waiting for Godot, Romeo and Juliet, Rosencrantz and Guildenstern Are Dead, Storm Boy (with Barking Gecko), The Maids, Mrs Warren’s Profession, Sex with Strangers, Under Milk Wood, Gross und Klein, Bloodland, In the Next Room (or The Vibrator Play), Uncle Vanya, A Streetcar Named Desire, The War of the Roses, Tot Mom. As Director: The Comedy of Errors. Other Theatre: As Voice & Text Coach: QT: Triple X (with Sydney Theatre Company). Royal Shakespeare Company: The Taming of the Shrew, Julius Caesar, The Tempest, The Canterbury Tales (tour), A Winter’s Tale, Pericles, Days of Significance, Macbeth, Macbett, The Penelopiad, Noughts and Crosses, The Comedies (London season), Twelfth Night, A Midsummer Night’s Dream, Gunpowder (London season), Romeo and Juliet, Comedy of Errors. As Dialect Coach: Musicals: Muriel’s Wedding: The Musical (with Global Creatures), Aladdin, Assassins, The Lion King, Mary Poppins, The Tap Brothers, Xanadu the Musical. As Director/Trainer: A year with Space 2000 in Kaduna, Nigeria. Film: As Dialect Coach: Elvis, Peter Rabbit 2, Thor: Ragnarok, Pirates of the Caribbean: Dead Men Tell No Tales, Reaching for the Moon, Truth, Ginger & Rosa. Other: Voice trainer, London School of Puppetry. Member of London Shakespeare Workout, which brings Shakespeare into UK prisons. Training: Central School of Speech and Drama.

"A rumination on legacy, trauma and the power of family, Branden Jacobs-Jenkins' newest work is an exceptional example of what can happen when we try to run from the truth. "

ZINDZI OKENYO

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SYDNEY THEATRE COMPANY BOARD OF DIRECTORS

Ann Johnson (Chair)
David Craig (Deputy Chair)
Anita Belgiorno-Nettis AM
Brooke Boney
Mitchell Butel
Sarah Constable
Mark Coulter
Anne Dunn
Sam Meers AO
Heather Mitchell AM
Kate Mulvany OAM
David Paradice AO
Annette Shun Wah
Rosie Williams

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